Behind the Curtains: The Emotional Journey of Bringing ‘War Brides’ to Life

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HEADLINE: Behind the Curtains: The Emotional Journey of Bringing ‘War Brides’ to the Stage NEW DELHI — When the final scene of “War Brides” concluded at the LTG Repertory

yesterday, the auditorium moved from intense engagement to a collective, breath-held silence. As applause erupted, the cast’s emotional release was unmistakable. For the actors, this was not just another show; it was the result of an arduous and profoundly transformative creative journey.

The production is the outcome of a meticulous artistic partnership between Director Vipin Kumar and Assistant Director Shikha Malhotra. Together, they worked scene-by-scene, dissecting emotional beats and character psychology. Music cues, staging motifs, and costume authenticity were debated daily—often late into the night—all to ensure that every moment on

stage carried truth and meaning. This deeply collaborative approach laid the groundwork for performances that felt psychologically grounded and emotionally lived-in.

The play rejects the traditional heroic narrative of war and instead focuses on the silenced anguish of women left behind. The central challenge was clear: How does a young, modern ensemble internalize the trauma of a conflict so far removed from their own lives?

The creative team explained that unlocking this truth required going far beyond textbook rehearsal.

“Process work wasn’t just a method — it was our lifeline,” noted Assistant Director Shikha Malhotra. “The actors had to stop performing emotion and start understanding it.”

Composer Rahul and Lyricist Harsh further intensified the emotional architecture, weaving together grief, memory, and resilience through music. The result was a performance that felt urgent, honest, and impossible to ignore.

Referencing current geopolitical tensions involving major world powers, Director Vipin Kumar emphasized the ongoing relevance of the themes: “While the stories are personal, the message is global.”

The creative team’s belief in process over shortcuts has proven that theatre, when rooted in conviction, becomes not only performance—but healing.

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